詳細(xì)介紹：錄像藝術(shù)家游靜的作品從來不是「紀(jì)錄」現(xiàn)實(shí)，在她手裡…錄像藝術(shù)家游靜的作品從來不是「紀(jì)錄」現(xiàn)實(shí)，在她手裡攝影機(jī)像一面鏡子，提供沒有自信的邊緣青少年重新愛上自己（的影像）的機(jī)會；又或者像一張信紙，讓他們自然地流露情感、傳遞給在遠(yuǎn)方同樣身陷感化院的同類夥伴。透過「鏡像」與「信紙」的交織，本片捕捉到的不只是現(xiàn)實(shí)，而是邊緣青少年（女）令人動容的情感真實(shí)。﹣﹣﹣我們把壞蘋果關(guān)在少年感化院，眼不見為淨(jìng)，心安理得。游靜卻硬要把他們赤裸裸的曝露在日光底下。穿梭於香港、日本和澳門三地的少年感化院七年，透過媒體工作坊，引導(dǎo)被囚少年少女以影像說故事?？磪捔宋捞摕o的青春片？不如來觀賞這些世人以為沒指望的青少年講夢想、談?wù)搻?，聽他們高唱自己生命的飲歌。傷痕累累的肉身尚且可起舞，粗言穢語又怎能掩蓋他們的青蔥？不是聳人聽聞的犯罪事件簿，也沒有前設(shè)觀點(diǎn)要彰顯，它只是一份誠實(shí)的紀(jì)錄，每一張直視鏡頭的臉容都生澀真摯到你心痛。Director Yau Ching has been conducting media production workshops in juvenile reform and welfare institutes in Hong Kong, Macau and Sapporo, Japan for seven years. With simple video recording techniques, the teenagers make this video letter to talk about love, dream, idols and ups and downs in their lives. Are you sick of those pretending high school dramas? Try to take a look at this sincere documentation of youthhood. To get your taken-for-granted values reflected, to be touched by their truthful reveals without any sensational gimmick, and most importantly, to recall what we went through when we were young, and the ways we could be alive…詳情